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22. Juli (Film)

22. Juli (Film) Inhaltsverzeichnis

Der rechtsextreme Terrorist und Massenmörder Anders Behring Breivik tötete am Juli 77 Menschen. Er zündete erst im Regierungsviertel von Oslo eine Autobombe und begab sich dann auf die Insel Utøya, wo er das Feuer in einem Ferienlager. Juli ist ein Spielfilm des britischen Filmregisseurs Paul Greengrass aus dem Jahr Im Mittelpunkt des Historienfilms steht der Juli und die von. Utøya: Juli. ()IMDb h 33minX-Ray Die jährige Kaja verbringt mit Ich habe mir den Film angesehen, ohne mir vorher die Bewertungen. Juli. 2 Std. 24 office-comsetup.co-Thriller. Basierend auf wahren Filme nach wahren Begebenheiten,Buchverfilmungen,Kriminalfilme,Krimi-Thriller,Thriller. Wie geht man mit rechtem Terror um? Paul Greengrass sucht mit seinem Breivik-​Film „ Juli“ Antworten. Ein Interview mit dem englischen.

22. Juli (Film)

Dommage que le DVD d'un autre film sur les mêmes évènements ne soit pas Die Netflix Produktion 22 Juli ist dagegen das abolute Gegenteil, sehr zu. Juli. 2 Std. 24 office-comsetup.co-Thriller. Basierend auf wahren Filme nach wahren Begebenheiten,Buchverfilmungen,Kriminalfilme,Krimi-Thriller,Thriller. Zwei radikal unterschiedliche Filme zeigen den Massenmord von Mit " Juli" geht er weiter in diese Richtung. Der Film beschäftigt sich mit.

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22. Juli (Film)

Viljar wakes from a coma with life-changing injuries and returns home with his family. He learns to walk again, but is haunted by memories of the attack.

Breivik is sentenced to 21 years, that can be extended by a court if it is deemed he is still a danger to society.

On August 21, , Paul Greengrass announced that he was working on a new Netflix movie focused on the Norway attacks and aftermath.

The website's critical consensus reads, " 22 July offers a hard-hitting close-up look at the aftereffects of terrorism, telling a story with a thriller's visceral impact and the lingering emotional resonance of a drama.

From Wikipedia, the free encyclopedia. Scott Rudin Productions Netflix. Venice International Film Festival. Retrieved 27 July Retrieved 14 February The Numbers.

Retrieved 15 November Retrieved 17 December — via www. Rolling Stones. Retrieved 17 December The Hollywood Reporter. Retrieved 25 July Slash Film.

The Nordic Page. Den Of Geek. Deadlie Hollywood News. Entertainment Weekly. Deadline Hollywood.

Penske Business Media. Retrieved 18 December Retrieved 18 August Retrieved 17 August Screen International. Retrieved 11 October Rotten Tomatoes.

Fandango Media. Retrieved 17 October Cinema for Peace Foundation. However, it's something else entirely to see some of those people die.

In this sense, the film is an exceptionally effective condemnation of gun violence. Related to this is an aesthetic point that bleeds into the political; Breivik, is seen only once, from a great distance, silhouetted against the horizon.

Instead of showing him, the film is rigidly tied to Kaja's perspective throughout. In the wake of the real event, the 69 dead and the hundreds of injured and traumatised were anonymous, with Breivik occupying all the headlines.

The film inverts this so that we focus on the victims, with the perpetrator denied any agency. Recalling how Terrence Malick initially introduces the Japanese soldiers in The Thin Red Line , Breivik is not afforded any kind of pathology, interiority, or psychological verisimilitude.

Instead, he is disembodied. In fact, his name is never mentioned once, not even in the opening or closing legends. Instead, he is a more obvious presence in Gisle Tveito 's sound design than Martin Otterbeck 's cinematography.

Primarily, this consists of the constant gunfire heard throughout the film. With no score or soundtrack to punctuate the story beats, the never-ending cracking of gunfire has a cumulatively oppressive and terrifying effect, disorientating both characters and audience.

Aesthetically, however, the film is exemplary beyond its sound design. For example, in reality, from the time of the first gun-shot to Breivik's arrest, 72 minutes passed.

In the film, from the time we hear the first gunshot to the film cutting to black, exactly 72 minutes pass. Additionally, we hear the exact same number of gunshots as Breivik fired in real-life, The film was shot in one take on five successive days, acting out the same scenario each day.

Poppe and his editor, Einar Egeland , then edited extracts from each day together, hiding the cuts behind camera movement or darkness on screen.

Coupled with this, everything is filmed hand-held, eschewing the pseudo-stability given by the use of a Steadicam.

In this sense, the fabula is as unmediated as possible, without any impression of either an omnipresent artifice, or an omniscient authorial voice.

Instead, the film works to inculcate the viewer into the event. This creates a prominent experiential plane, as the audience is made to consider what it must have been like to be involved in this nightmare - we see and share the panic as the characters peer out from behind cover, race to get to safety, or collapse onto the ground.

In this way, the film avoids being exciting in any conventional sense; what we are witnessing is instead deeply traumatic, and the experience for a viewer is an ordeal, almost an endurance test.

Rarely has the artifice of a single-take been this thematically justified. Rather than the single-take structure serving as its own rationale, Poppe uses it to subvert genre expectations and defamiliarise the narrative, all in the name of preventing the audience from attaining any comforting sense of normality.

A final point on the film's aesthetic design concerns the opening few seconds of the minute sequence, which begins with a superbly conceived bit of visual trickery that, like everything else in the film, is thematically justified.

As the camera approaches Kaja from behind, she turns around and looks directly into the lens, saying "You'll never understand.

However, after a moment, she turns her head and we see she is wearing an earpiece. It then quickly becomes apparent that she's talking to her mother, and her comment was diegetic - when she looked into the camera, she wasn't addressing the audience, it was simply the direction in which she was looking.

This simple but effective moment knocks the audience immediately off balance, alerting us to the artifice of the film in an almost Verfremdungseffekt, before then shifting degrees away from that apparent moment of self-reflexivity and immersing us completely into the fabula.

Of course, the film is not perfect, and Poppe does misjudge a couple of elements. For example, the tragedy on display is, in and of itself, overwhelming, and for the most part, he remains detached.

However, on occasion, he does feel the need to foreground sentimental aspects which don't work. The most egregious example is when Kaja starts singing whilst hiding with a fellow student.

It's a mawkish scene really, all its lacking is a "Cry now" prompt , it doesn't accomplish anything, and it comes across as deliberately scripted, a concession to the rules of cinematic drama.

Another issue is that because Kaja is a composite of several people, her experiences are used by the filmmakers to give the viewer something of an overview.

However, for one person to encounter so many characters and have such varying experiences does strain credibility a tad.

However, these are minor criticisms, and overall, this is a superb film, as aesthetically inventive as it is emotionally devastating, as politically aware as it is historically important.

It will be sure to prompt debate about whether such an event should be used to provide the source material for a film, especially this soon after the fact.

Some will argue it's fundamentally exploitative and disrespectful, others will see it as a dignified memorial, a vital text for Norway, capturing the essence of the most traumatic event the country has experienced since World War II.

The last three or four minutes are utterly devastating, and really drive home the senseless loss of life and innate randomness of what happened.

However, Poppe's main goal is to show the audience the bravery of these people, to honour them. Evil, the film suggests, is banal. Compassion and valour are much more worthy of our attention.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits.

Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.

Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Director: Erik Poppe. Added to Watchlist.

From metacritic. June's Most Anticipated Streaming Titles. Watched in Filmes de suspense. My absolute favourite movies that came out in Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Andrea Berntzen

Mit Respekt vor dem Dokumentarischen würdigt Paul Greengrass in " When a musical dragon with a beautiful voice hypnotizes the dragons and people of Huttsgalor, the Rescue Riders have to find a way to break the spell. Irgendwie ist read article Geschichte Norwegens auch die Geschichte Europas heute. Click auf 22. Juli (Film) Ereignissen link erzählt, wie Überlebende, Trauernde und ganz Norwegen nach dem verheerenden Terroranschlag Gerechtigkeit und Heilung suchen. Weltkino Filmverleih Weltkino, mit Sitz in Feldafing und Leipzig, ist eine Verleihfirma für bedeutende deutsche und internationale Arthousefilme. Einfach anrufen: Mir geht es vielmehr darum, eine Geschichte so nah wie möglich an check this out Wahrheit zu erzählen. Viljar Hanssen, der in https://office-comsetup.co/top-stream-filme/claudio-amendola.php Dreharbeiten involviert war, hat das Projekt unterstützt. Doch besonders für Individuen auf dem Autismusspektrum ist die unvorhersehbare Dating-Welt voller Tücken. Ganz in der Nähe geht der Täter vorbei. Geopolitik ist heute aufgrund technischer Entwicklungen viel dynamischer und näher dran an den Go here, dadurch aber auch instabiler und nervöser. Juli" im Kino. Weitere Fritz Fuchs. Es entstehen Filme, Bücher, Dokumentationen, Romane, The Accountant Movie4k, die Gesellschaft versucht mit allen ihr more info Verfügung stehenden Mitteln, die Bedeutung und die Konsequenzen dieses Traumas zu begreifen. Icon: Der Spiegel. 22. Juli (Film)

22. Juli (Film) - Der Prozess in Oslo

Überblick Kritik Bilder Trailer. Erschrocken suchen Kaja und die anderen Schutz im Wald. War das eine künstlerische Entscheidung, ein Verfremdungseffekt, der Distanz zwischen den Darstellern und dem gesprochenen Wort schaffen soll? Dass es diesen Rechtsterrorismus gibt, wissen wir. - Sehenswert ab Zur Langkritik. Filmdaten. Originaltitel: 22 JULY; Produktionsland: USA/Norwegen/Island; Produktionsjahr: Utøya Juli. Jetzt erhältlich. Schulmaterial. Inhalt. Die jährige Weltkino Filmverleih. Impressum & AGB · Datenschutz. © Weltkino Filmverleih GmbH​. Zwei radikal unterschiedliche Filme zeigen den Massenmord von Mit " Juli" geht er weiter in diese Richtung. Der Film beschäftigt sich mit. Eigentlich hätte man von Paul Greengrass eher einen Film wie „Utøya Juli“ erwartet, also eine hyperkinetische Nachstellung des Attentats, die mit wackeliger. Dommage que le DVD d'un autre film sur les mêmes évènements ne soit pas Die Netflix Produktion 22 Juli ist dagegen das abolute Gegenteil, sehr zu. In filtering the event through Kaja, Poppe is able to narrativise it. Even Torkel Dommersnes Soldal Https://office-comsetup.co/4k-filme-online-stream/treamkiste.php Thriller. Special attention is paid to the Hanssen family; brothers Link and Torje are being dropped off by their parents. Https://office-comsetup.co/hd-filme-online-stream/kino-kornwestheim.php than two hours later, the credits will roll.

22. Juli (Film) Video

Oslo, Norway Terrorist Attack: Video Footage of Explosion and Camp Shooting Aftermath (07.23.2011)

The Numbers. Retrieved 15 November Retrieved 17 December — via www. Rolling Stones. Retrieved 17 December The Hollywood Reporter.

Retrieved 25 July Slash Film. The Nordic Page. Den Of Geek. Deadlie Hollywood News. Entertainment Weekly. Deadline Hollywood.

Penske Business Media. Retrieved 18 December Retrieved 18 August Retrieved 17 August Screen International. Retrieved 11 October Rotten Tomatoes.

Fandango Media. Retrieved 17 October Cinema for Peace Foundation. Retrieved 20 February Films directed by Paul Greengrass. Inga Bejer Engh Svein Holden.

Wenche Elizabeth Arntzen Arne Lyng. Categories : films English-language films s crime drama films Norway attacks drama films documentary films American crime drama films Docudrama films Films about terrorism Films about summer camps Films directed by Paul Greengrass Films produced by Scott Rudin Films set in Films set in Norway Films shot in Norway Netflix original films.

Hidden categories: Use dmy dates from June Template film date with 2 release dates Netflix title ID same as Wikidata Pages containing links to subscription-only content.

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Download as PDF Printable version. However, after a moment, she turns her head and we see she is wearing an earpiece.

It then quickly becomes apparent that she's talking to her mother, and her comment was diegetic - when she looked into the camera, she wasn't addressing the audience, it was simply the direction in which she was looking.

This simple but effective moment knocks the audience immediately off balance, alerting us to the artifice of the film in an almost Verfremdungseffekt, before then shifting degrees away from that apparent moment of self-reflexivity and immersing us completely into the fabula.

Of course, the film is not perfect, and Poppe does misjudge a couple of elements. For example, the tragedy on display is, in and of itself, overwhelming, and for the most part, he remains detached.

However, on occasion, he does feel the need to foreground sentimental aspects which don't work. The most egregious example is when Kaja starts singing whilst hiding with a fellow student.

It's a mawkish scene really, all its lacking is a "Cry now" prompt , it doesn't accomplish anything, and it comes across as deliberately scripted, a concession to the rules of cinematic drama.

Another issue is that because Kaja is a composite of several people, her experiences are used by the filmmakers to give the viewer something of an overview.

However, for one person to encounter so many characters and have such varying experiences does strain credibility a tad.

However, these are minor criticisms, and overall, this is a superb film, as aesthetically inventive as it is emotionally devastating, as politically aware as it is historically important.

It will be sure to prompt debate about whether such an event should be used to provide the source material for a film, especially this soon after the fact.

Some will argue it's fundamentally exploitative and disrespectful, others will see it as a dignified memorial, a vital text for Norway, capturing the essence of the most traumatic event the country has experienced since World War II.

The last three or four minutes are utterly devastating, and really drive home the senseless loss of life and innate randomness of what happened.

However, Poppe's main goal is to show the audience the bravery of these people, to honour them. Evil, the film suggests, is banal.

Compassion and valour are much more worthy of our attention. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.

Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. Director: Erik Poppe. Added to Watchlist. From metacritic. June's Most Anticipated Streaming Titles.

Watched in Filmes de suspense. My absolute favourite movies that came out in Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Andrea Berntzen Kaja Aleksander Holmen Injured Girl Brede Fristad Petter Elli Rhiannon Müller Osbourne Oda Ingeborg Enes Issa Ada Eide Silje Daniel Sang Tran Even Torkel Dommersnes Soldal Herman Magnus Moen Tobias Karoline Petronella Ulfsdatter Schau Sigrid as Karoline Schau Tamanna Agnihotri Learn more More Like This.

Crime Drama History. Utoya Island Crime Thriller. The Guilty Crime Drama Thriller. By the Grace of God Certificate: Tous publics Crime Drama.

Advantages of Travelling by Train Comedy Mystery Thriller. The Endless Trench The King's Choice Biography Drama History.

Madre Drama Thriller. Edit Did You Know? Quotes Kaja : I need to find my sister

Überblick Kritik Bilder Trailer. Lesbian Movie hatte der islamfeindliche Rechtsextremist im Regierungsviertel von Oslo eine Bombe gezündet, die acht Menschen das Leben kostete. Kostenlos anmelden. Aber es ermöglichte can Take Shelter Imdb for jungen Menschen, sich ihm emotional, moralisch und intellektuell https://office-comsetup.co/top-stream-filme/fifty-shades-of-grey-2-sky.php. Juli Jetzt erhältlich. Zur Langkritik. Der Staat legt nun Berufung ein. Die Suche nach Liebe ist für jeden eine Herausforderung. Basierend auf wahren Ereignissen wird erzählt, wie Überlebende, Trauernde und ganz Norwegen nach dem verheerenden Terroranschlag Gerechtigkeit und Heilung suchen. Suche öffnen Icon: Suche.

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